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Modern Classics: Chernobyl Prayer: A Chronicle of the Future, by Svetlana Alexievich
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The devastating history of the Chernobyl disaster by Svetlana Alexievich, the winner of the Nobel prize in literature 2015 - A new translation by Anna Gunin and Arch Tait based on the updated and expanded text - On 26 April 1986, at 1.23am, a series of explosions shook the Chernobyl nuclear reactor. Flames lit up the sky and radiation escaped to contaminate the land and poison the people for years to come. While officials tried to hush up the accident, Svetlana Alexievich spent years collecting testimonies from survivors - clean-up workers, residents, firefighters, resettlers, widows, orphans - crafting their voices into a haunting oral history of fear, anger and uncertainty, but also dark humour and love. A chronicle of the past and a warning for our nuclear future, Chernobyl Prayer shows what it is like to bear witness, and remember in a world that wants you to forget.
- Sales Rank: #2141650 in Books
- Brand: PENGUIN GROUP
- Published on: 2017-07-25
- Released on: 2017-07-25
- Format: International Edition
- Original language: Russian
- Number of items: 1
- Dimensions: 7.80" h x .67" w x 5.08" l, .49 pounds
- Binding: Paperback
- 304 pages
- PENGUIN GROUP
Review
A collage of oral testimony that turns into the psycho-biography of a nation not shown on any map... The book leaves radiation burns on the brain -- Julian Barnes Guardian A beautifully written book, it's been years since I had to look away from a page because it was just too heart-breaking to go on. Give me beautiful prose and I'll follow you anywhere -- Arundhati Roy Elle A searing mix of eloquence and wordlessness... From her interviewees' monologues she creates history that the reader, at whatever distance from the events, can actually touch -- Julian Evans Daily Telegraph One of the most humane and terrifying books I've ever read -- Helen Simpson Observer Alexievich's documentary approach makes the experiences vivid, sometimes almost unbearably so - but it's a remarkably democratic way of constructing a book... When you consider the extent to which she has been traversing the irradiated landscape, you realise she has put herself on the line in a way very few authors ever do -- Nicholas Lezard Guardian A moving piece of polyphony, skilfully assembled from what must have been a huge mass of material... We are living in Alexievich's 'age of disasters'. This haunting book offers us at least some ways of thinking about that predicament -- Lucy Hughes-Hallett New Statesman Alexievich assembles the previously silenced or unsung heroes into a chorus that has the power to move, stun and inspire awe. The result is a remarkable oral history, an essential read -- Malcolm Forbes Herald Scotland Not merely a work of documentation but of excavation, of revealed meaning. It is hard to imagine how anyone in the West will read these cantos of loss and not feel a sense of communion, of a shared humanity -- Andrew Meier The Nation Alexievich serves no ideology, only an ideal: to listen closely enough to the ordinary voices of her time to orchestrate them into extraordinary books -- Philip Gourevitch New Yorker [Alexievich] has become one of my heroes -- Atul Gawande Awarding the Nobel Prize for Literature to Svetlana Alexievich is a brilliant choice that recalibrates the status of "non-fiction" in the literary canon -- Arifa Akbar Independent Through her books and her life itself, Alexievich has gained probably the world's deepest, most eloquent understanding of the post-Soviet condition -- Masha Gessen New Yorker Alexievich retreats into the wings to let her subjects speak. But this is the art that conceals art. Her editor's flair for selection, contrast and emphasis, her almost cinematic touch with cuts, pans and close-ups, make her a documentary virtuoso -- Boyd Tonkin Spectator Her interviews go on for hours. She goes back for more. She transcribes. She discards three-quarters of her material. She polishes. She takes pains to convey the cadence of a person's words. It shows. The distilled work goes deep into the subject. She is after the ephemeral; the emotion behind written history; the "history of the soul." Here, she believes, is where the truth lies -- Vanora Bennett Prospect This masterly new translation by Anna Gunin and Arch Tait retains the nerve and pulse of the Russian, conveying the angst and confusion of the narrators -- Serguei Alex. Oushakine Times Literary Supplement
About the Author
Svetlana Alexievich was born in Ivano-Frankivsk in 1948 and has spent most of her life in the Soviet Union and present-day Belarus, with prolonged periods of exile in Western Europe. Starting out as a journalist, she developed her own, distinctive non-fiction genre which brings together a chorus of voices to describe a specific historical moment. Her works include The Unwomanly Face of War (1985), Last Witnesses (1985), Boys in Zinc (1991), Chernobyl Prayer (1997) and Second-Hand Time (2013). She has won many international awards, including the 2015 Nobel Prize in Literature for 'her polyphonic writings, a monument to suffering and courage in our time'.
Most helpful customer reviews
0 of 1 people found the following review helpful.
Interesting perspectives from survivors across the spectrum but at times ...
By Paulo Forjaz
Interesting perspectives from survivors across the spectrum but at times wordy and verbose. I think that some of the monologues in particular could have been edited to improve readability.
4 of 4 people found the following review helpful.
Painful to read; ostrich like to not do so
By Lady Fancifull
Svetlana Alexievich’s Chernobyl Prayer, the account of ordinary Belarusians whose lives and land were horribly affected by the reactor blowing, is a difficult, horrifying and yet unavoidable read. At least, unavoidable if you believe we need to face terrible reality, and acknowledge it, however much not thinking about it seems the best, pain avoiding option
Alexievich lets her contributors tell their stories. This is certainly not a book to read cover to cover; so much horror can’t be borne, and in fact the only response to trying to do that is a kind of numbing and deadening, as the reader tries to protect herself from the awful reality.
This is not an account of politics, cover up, science, official speak. It is ordinary voices, and therefore, full of individual response. Some are even remarkably stoical and even manage to bear up with fortitude in the face of something which seems unbearably grim – the ticking time-bomb caused by impossible exposure to radioactivity following the reactor’s blow-out
There are a few thoughts which struck home. Inevitably, the heroism, even if no one quite understood the terrible danger of the firefighters who went in to contain the damage, and prevent the other reactors from also cracking.
Secondly, many of the people she interviewed had the most astonishing, deep love of place and land. Something perhaps harder for those of us who live less rooted lives, less connected to the time and place of our ancestral past, to understand. These are people, who knowing the danger, chose to secretly, illegally return to their damaged land, because to live apart from in, in cities, was no life. They mourned their land and their connection to it
Time and again people talk about how the animals, birds and insects responded immediately to the disaster, and yet, the people did not know – beekeepers reporting their bees stayed in their hives for days and did not come out. Fisherman, using worms for bait, discovering they couldn’t find any worms, because they had burrowed so deeply into the earth. I found that strange and sobering too, some sense which we have lost
Alexievich, in her own take on this writes this to show :
‘we now find ourselves on a new page of history. The history of disasters has begun. But people do not want to reflect on that , because they have never thought about it before, preferring to take refuge in the familiar’
She opens the book with the sobering, horrifying account of the life and death of one of the firefighters, recounted by his widow (herself, horribly affected by contamination) Lyudmila Ignatenko, pregnant, was instructed not to touch or go close to her dying husband Vasily. In full knowledge of the danger to herself and her unborn child, she ignored the advice, and chose to touch, kiss and give human contact . She was told :
“You musn’t forget this isn’t your husband, it isn’t the man you love, it’s a highly contaminated radioactive object.”
I was humbled by Lyudmila, and by Vasily. And this is just one story of many
Star rating seems impossible. I hate it - I hate that this happened and needs to be recounted, to say 'I love it' is monstrous. I will settle for 4 star, But it is to my mind unrateable. Dreadful, important, necessary. I feel the need to read each person's story, but cannot do this cover to cover, without long gaps, as it seems wrong to shut down feeling, but so much horror can't be consciously endured for long
I received this as a review copy for Amazon Vine, UK. I was ambivalent about asking for it, knowing that the experience would be as the title to my review suggests
0 of 0 people found the following review helpful.
Devastation at Chernobyl
By Geoff Crocker
Svetlana Alexievich deploys her unique gift of collating people’s experiences, reflections and insights into a powerful statement of the Chernobyl event. She shows how people can report in greater depth than journalists. The devastation of the land, the dreadful deaths of children, of clean-up workers, the primacy of the Soviet state over people’s desperate immediate need, constitute an account of utter human sorrow. It’s a call for accountability which all bureaucracies seek to avoid.
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